review – U-High Midway

Almost Monday’s ‘Dive’ uses catchy beats to hide simplistic lyrics

Juliana Daugherty, Audience Engagement Editor
November 20, 2024

Tyler, the Creator creates electrifying journey in ‘Chromakopia’

Milo Platz-Walker, Sports Editor
November 4, 2024

‘Uglies’ falls flat with shallow, pandering morals

Lila Coyne, Assistant Editor
September 30, 2024

‘Beetlejuice, Beetlejuice’ delivers spooky nostalgia decades after debut

Light Dohrn, Arts and Entertainment Editor
September 16, 2024

With talent and range, Sabrina Carpenter establishes herself in ‘Short n’ Sweet’

Kabir Joshi, Opinion Editor
September 9, 2024

Despite social media buzz, ‘Anyone But You’ disappoints

Lucy Shirrell, Reporter
June 4, 2024

‘Challengers’ defies expectations with blend of rivalry, romance, tennis

Lila Coyne, Reporter
June 3, 2024

Creativity, childhood imagination thrive in ‘Where the Sidewalk Ends’

Neha Dhawan, Reporter
June 3, 2024

Maggie Rose’s catchy ‘No One Gets Out Alive’ inspires, uplifts

Orlie Weitzman, Reporter
May 30, 2024

Live-action ‘Avatar: The Last Airbender’ adaptation conflicts, complements original series

Declan Smith, Reporter
May 29, 2024

Addictive Brawl Stars engages players

Naomi Benton, Reporter
May 28, 2024

Depicting queer desire, ‘Giovanni’s Room’ explores shame

Lila Coyne, Reporter
May 27, 2024

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