album review – U-High Midway

Almost Monday’s ‘Dive’ uses catchy beats to hide simplistic lyrics

Juliana Daugherty, Audience Engagement Editor
November 20, 2024

Tyler, the Creator creates electrifying journey in ‘Chromakopia’

Milo Platz-Walker, Sports Editor
November 4, 2024

With talent and range, Sabrina Carpenter establishes herself in ‘Short n’ Sweet’

Kabir Joshi, Opinion Editor
September 9, 2024

Maggie Rose’s catchy ‘No One Gets Out Alive’ inspires, uplifts

Orlie Weitzman, Reporter
May 30, 2024

‘Bright Future’ beautifully blends alternative, folk music

Ari Novak, Reporter
May 24, 2024

Maggie Rogers’ ‘Don’t Forget Me’ allows fans insight to her personal life

Juliana Daugherty, Reporter
May 14, 2024

With vibrant rock ’n’ roll, Parton expresses herself in album

Mia Lipson, News Editor
November 27, 2023

Laufey pays homage to a lost jazz era

Skye Freeman, Audience Engagement Manager
September 28, 2023

‘Ants From Up There’ includes diverse and beautiful tracks, lyrics

Peter Cox, City Life Editor
March 20, 2023

‘Let’s Start Here’ demonstrates unfocused-yet-effective expression of alternative genre

Katie Sasamoto-Kurisu, Assistant Editor
March 7, 2023

Ice Spice proves herself on latest record

Ainsley Williams, reporter
February 13, 2023

‘SOS’ showcases a wide range of styles and themes

Chloe Alexander, Assistant Editor
January 3, 2023

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