music review – U-High Midway

Maggie Rose’s catchy ‘No One Gets Out Alive’ inspires, uplifts

Orlie Weitzman, Reporter
May 30, 2024

‘Bright Future’ beautifully blends alternative, folk music

Ari Novak, Reporter
May 24, 2024

Flawed organization holds Conan Gray’s ‘Found Heaven’ back

Light Dohrn, Arts Editor
May 22, 2024

Maggie Rogers’ ‘Don’t Forget Me’ allows fans insight to her personal life

Juliana Daugherty, Reporter
May 14, 2024

‘Wonka’ disappoints by being too childish, doesn’t stay true to book

Light Dohrn, Assistant Editor
January 29, 2024

His Loss: Special moments of Drake album grapple with poor performances

Taariq Ahmed, Digital Editor
October 30, 2023

Laufey pays homage to a lost jazz era

Skye Freeman, Audience Engagement Manager
September 28, 2023

‘Ants From Up There’ includes diverse and beautiful tracks, lyrics

Peter Cox, City Life Editor
March 20, 2023

‘Let’s Start Here’ demonstrates unfocused-yet-effective expression of alternative genre

Katie Sasamoto-Kurisu, Assistant Editor
March 7, 2023

‘Moonlight Sunrise’ gives unexciting preview of upcoming TWICE album

Téa Tamburo, Editor-in-Chief
February 21, 2023

‘SOS’ showcases a wide range of styles and themes

Chloe Alexander, Assistant Editor
January 3, 2023

At centenary, enjoy unconventional soundscapes of avant-garde composer Iannis Xenakis

Ryan Clark, Opinion Editor
June 8, 2022

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